

Topiary
This was created in early 2023, when I had early access to Sora, Kling, and MidJourney. It was my first serious test of generative AI storytelling. I used a spot I had originally written and directed for the Syfy Channel over 15 years ago, as a benchmark, first to see how closely I could replicate it, then to push further and test the limits. That was several model updates ago, so now hands and facial expressions control have come a long way…
Original

Updated

Topiary
This was created in early 2023, when I had early access to Sora, Kling, and MidJourney. It was my first serious test of generative AI storytelling. I used a spot I had originally written and directed for the Syfy Channel over 15 years ago, as a benchmark, first to see how closely I could replicate it, then to push further and test the limits. That was several model updates ago, so now hands and facial expressions control have come a long way…
Original

Updated

Topiary
This was created in early 2023, when I had early access to Sora, Kling, and MidJourney. It was my first serious test of generative AI storytelling. I used a spot I had originally written and directed for the Syfy Channel over 15 years ago, as a benchmark, first to see how closely I could replicate it, then to push further and test the limits. That was several model updates ago, so now hands and facial expressions control have come a long way…
Original

Updated


Let The Games Begin
Storytelling & Character Continuity
2024

Not LaMans 1972
Storytelling & Character Continuity
2024

Not a Dog
Character Continuity
2026

Ballon Animal
Photorealism Study
2026

Joxer's Animation
Client Work
2023
Let The Games Begin
Storytelling & Character Continuity
2024

Not LaMans 1972
Storytelling & Character Continuity
2024

Not a Dog
Character Continuity
2026

Ballon Animal
Photorealism Study
2026

Joxer's Animation
Client Work
2023
Let The Games Begin
Storytelling & Character
Continuity
2024

Not LaMans 1972
Storytelling & Character
Continuity
2024

Not a Dog
Character Continuity
2026

Ballon Animal
Photorealism Study
2026

Joxer's Animation
Client Work
2023

Pier 17 Visualization
Client Work
2024

Pier 17 Visualization
Client Work
2024

Not a Pig
Continuity Study
2024

Taboo
Storytelling Test
2024


Pier 17 Visualization
Client Work
2024

Not a Manatee
Continuity Study
2024
Quick look at a project I recently completed - a 30 minute documentary for XXL magazine. The assignment was to create a graphics package. One of the deliverables was to animate and showcase 36 magazine covers, each representing a different chapter in the magazine’s history. The source material was mostly low-resolution screen grabs, but the final project was being delivered in 4K. I decided to give each cover a subtle parallax treatment to bring them to life while still allowing them to sit inside a larger camera move.
To build the shots, I used Runway, GPT Image 2 and Kling to restore and rebuild the covers at higher resolution, then separated each one into two main elements: the background artwork and the foreground typography and graphics. I composited everything back together in After Effects.The biggest challenge was getting clean, usable elements. Model restrictions, violations and inconsistent typography meant a lot of the work came down to testing prompts, isolating elements and developing a workflow that preserved the original cover details.
Quick look at a project I recently completed - a 30 minute documentary for XXL magazine. The assignment was to create a graphics package. One of the deliverables was to animate and showcase 36 magazine covers, each representing a different chapter in the magazine’s history. The source material was mostly low-resolution screen grabs, but the final project was being delivered in 4K. I decided to give each cover a subtle parallax treatment to bring them to life while still allowing them to sit inside a larger camera move.
To build the shots, I used Runway, GPT Image 2 and Kling to restore and rebuild the covers at higher resolution, then separated each one into two main elements: the background artwork and the foreground typography and graphics. I composited everything back together in After Effects.The biggest challenge was getting clean, usable elements. Model restrictions, violations and inconsistent typography meant a lot of the work came down to testing prompts, isolating elements and developing a workflow that preserved the original cover details.








Working on a documentary for XXL magazine. The assignment was to create a graphics package. One of the deliverables was to animate and showcase 36 magazine covers, each representing a different stage in the magazine’s history. The source material was mostly low-resolution screen grabs, but the final project was being delivered in 4K. I decided to give each cover a subtle parallax treatment to bring them to life while still allowing them to sit inside a larger camera move.
To build the shots, I used Runway, GPT Image 2 and Kling to restore and rebuild the covers at higher resolution, then separated each one into two main elements: the background artwork and the foreground typography and graphics. I composited everything back together in After Effects.The biggest challenge was getting clean, usable elements. Model restrictions, violations and inconsistent typography meant a lot of the work came down to testing prompts, isolating elements and developing a workflow that preserved the original cover details.
AI Lab
Collection of current projects, experiments, tests, proof of concepts,
out takes and random ideas.
AI Lab
Collection of current project experiments, tests, proof of concepts,out takes and random ideas.
rogerguillen

